Minggu, 16 Februari 2014

Kehilanganmu Merupakan Sebuah Luka

Dalam luang waktu aku coba melupakan
Sejenak memendam kisah lama yang silam
Melihat pelangi yang kini t'lah kelam
Gelap gulita dan sunyi mencekam

Nampak hadirmu dalam ingatan
Terlihat jelas tapi menyakitkan
Walau terasa dirimu ku dambakan
Membuat aku dalam kesepian

Meski dirimu ku cinta tapi tak sebaliknya
Dirmu yang ku puja takkan terlupakan
Seringkali dirimu nampak menyenangkan
Dan tak jarang kau juga menyakitkan

Kerinduan ini membuatku gila
Kehilangan dirimu sebuah luka
Aku berangan-angan untuk selamanya
Hingga mati pun slalu bersama

Dan mungkin seandainya nanti
Mentari tak bersinar lagi
Dirimu tetap dan s'lalu disisi ku
Menemaniku dalam indahnya surgawi

Rabu, 11 Desember 2013

My Chemical Romance - Disenchanted Lyric

Well I was there on the day
They sold the cause for the queen
And when the lights all went out
We watched our lives on the screen
I hate the ending myself
But it started with an all right scene
It was the roar of the crowd
That gave me heartache to sing
It was a lie when they smiled
And said, "You won't feel a thing"
And as we ran from the cops
We laughed so hard it would sting
Yeah yeah, oh
If I'm so wrong
(So wrong, so wrong)
How can you listen all night long?
(Night long, night long)
Now will it matter after I'm gone?
Because you never learned a goddamned thing
You're just a sad song with nothing to say
About a lifelong wait for a hospital stay
And if you think that I'm wrong
This never meant nothing to you
I spent my high school career
Spit on and shoved to agree
So I could watch all my heroes
Sell a car on TV
Bring out the old guillotine
We'll show 'em what we all mean
Yeah yeah, oh
If I'm so wrong
(So wrong, so wrong)
How can you listen all night long?
(Night long, night long)
Now will it matter long after I'm gone?
Because you never learned a goddamned thing
You're just a sad song with nothing to say
About a lifelong wait for a hospital stay
And if you think that I'm wrong
This never meant nothing to you
So go, go away, just go, run away
But where did you run to?
And where did you hide?
Go find another way
Price you pay
Hurray, hurray, hurray, hurray-ray-ray
You're just a sad song with nothing to say
About a lifelong wait for a hospital stay
And if you think that I'm wrong
This never meant nothing to you, come on
You're just a sad song with nothing to say
About a lifelong wait for a hospital stay
And if you think that I'm wrong
This never meant nothing to you
At all, at all, at all, at all
:'D

Rabu, 13 November 2013

My Chemical Romance

My Chemical Romance

My Chemical Romance
My Chemical Romance 07.jpg
Latar belakang
Asal New Jersey,  Amerika Serikat
Genre Rock alternatif
Label Reprise Records/Warner Music
Eyeball Records
Artis terkait Pencey Prep
Leathermouth
Situs web mychemicalromance.com

Anggota Gerard Way
Ray Toro
Frank Iero
Mikey Way
Mike Pedicone

Mantan anggota Matt Pelissier
Bob Bryar
My Chemical Romance adalah grup musik asal New Jersey, yang dibentuk pada bulan September tahun 2001 oleh Gerard Way dan Matt Pelissier. Saat ini, band ini beranggotakan Gerard Way (vokal), Mikey Way (bass), Ray Toro (lead guitar), Frank Iero (gitar), dan Mike Pedicone (drum) yang menggantikan Bob Bryar yang merupakan drummer sebelumnya yang keluar pada Maret 2010. Nama band ini terinspirasi oleh buku karangan Irvine Welsh yaitu Ecstasy: Three Tales of Chemical Romance.
My Chemical Romance adalah grup band yang menurut media bergenre pop punk,[1] post-hardcore,[1] "punk revival",[1] rock alternatif. Namun grup ini mendeskripsikan musik mereka sebagai musik "rock" atau "pop yang kasar",[2] dan menolak diklasifikasikan sebagai emo.[3] Grup ini telah merilis empat album yaitu I Brought You My Bullets, You Brought Me Your Love pada tahun 2002, Three Cheers For Sweet Revenge pada tahun 2004, The Black Parade pada tahun 2006, Danger Days: The True Lives Of The Fabulous Killjoys yang dirilis pada tanggal 22 November 2010 dan Conventional Weapon yang dimulai dari Tahun 2012 sampai 2013.
Band ini mendapat inspirasi dari Queen, Black Flag, Iron Maiden, The Misfits, Morissey, At the Gates, Pink Floyd, The Smashing Pumpkins, Descendents, Pantera, The Cure, dan The Smiths. Selain terinspirasi, mereka juga menginspirasi sekelompok anak muda asal Indonesia yang akrab disebut kelompok SGW.

Daftar isi

  • 1 Diskografi
    • 1.1 Album studio
    • 1.2 DVD
  • 2 Referensi
  • 3 Pranala luar

Diskografi

Album studio

  • 2002: I Brought You My Bullets, You Brought Me Your Love
  • 2004: Three Cheers for Sweet Revenge
  • 2006: The Black Parade
  • 2010: Danger Days: The True Lives Of The Fabulous Killjoys
  • 2012: Conventional Weapon

DVD

  • 2006: Life on the Murder Scene
  • 2008: The Black Parade Is Dead!
  • 2009: Venganza

Referensi

  1. ^ a b c "My Chemical Romance". All Music Guide.
  2. ^ Official website's band biography, accessed September 15, 2006.
  3. ^ ""I don't think Emo ever fit us ... even in the beginning ... maybe geographically but at that time, when we would
    ld play VFW halls...we were always odd man out"".

Kamis, 07 November 2013

Rangkuman Teori Mutlak Dan Teori Keunggulan Komparatif



1. Teori Keunggulan Mutlak (Absolut Advantage) oleh Adam Smith

Dalam teori keunggulan mutlak, Adam Smith mengemukakan ide-ide sebagai berikut.

a. Adanya Division of Labour (Pembagian Kerja Internasional)
dalam Menghasilkan Sejenis Barang Dengan adanya pembagian kerja, suatu negara dapat memproduksi barang dengan biaya yang lebih murah dibanding negara lain, sehingga dalam mengadakan perdagangan negara tersebut memperoleh keunggulanmutlak.

b. Spesialisasi Internasional dan Efisiensi Produksi
Dengan spesialisasi, suatu negara akan mengkhususkan pada produksi barang yang memiliki keuntungan. Suatu Negara akan mengimpor barang-barang yang bila diproduksi sendiri (dalam negeri) tidak efisien atau kurang menguntungkan, sehingga keunggulan mutlak diperoleh bila suatu Negara mengadakan spesialisasi dalam memproduksi barang.

Keuntungan mutlak diartikan sebagai keuntungan yang dinyatakan dengan banyaknya jam/hari kerja yang dibutuhkan untuk membuat barang-barang produksi. Suatu negara akan mengekspor barang tertentu karena dapat menghasilkan barang tersebut dengan biaya yang secara mutlak lebih murah daripada negara lain. Dengan kata lain, negara tersebut memiliki keuntungan mutlak dalam produksi barang.

Jadi, keuntungan mutlak terjadi bila suatu negara lebih unggul terhadap satu macam produk yang dihasilkan, dengan biaya produksi yang lebih murah jika dibandingkan dengan biaya produksi di negara lain.


https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEghmfAxGMjVqYVQ7lsBOwFcXpBCB7qvMHPKguhxiiJh0Dg2iMq2ML_LaddnM6WKw37tbpsqD-xGwUl6meS1jE7_ssbuk1sr2MpUAsQc5WdYgsKCGzSIrpL6fkRam2k6fflIXJ_1K3uHR00/s400/2a.jpg


Berdasarkan tabel di atas dapat diketahui, bahwa Indonesia lebih unggul untuk memproduksi rempah-rempah dan Jepang lebih unggul untuk produksi elektronik, sehingga negara Indonesia sebaiknya berspesialisasi untuk produk rempah-rempah dan negara Jepang berspesialisasi untuk produk elektronik. Dengan demikian, seandainya kedua negara tersebut mengadakan perdagangan atau ekspor dan impor, maka keduanya akan memperoleh keuntungan.




Besarnya keuntungan dapat dihitung sebagai berikut.

a. Untuk negara Indonesia, Dasar Tukar Dalam Negeri (DTD) 1 kg rempah-rempah akan mendapatkan 1 unit elektronik, sedangkan Jepang 1 kg rempah-rempah akan mendapatkan 4 unit elektronik. Dengan demikian, jika Indonesia menukarkan rempah-rempahnya dengan elektronik Jepang akan memperoleh keuntungan sebesar 3 unit elektronik, yang diperoleh dari (4 elektronik – 1 elektronik).

b. Untuk negara Jepang Dasar Tukar Dalam Negerinya (DTD) 1 unit elektronik akan mendapatkan 0,25 rempah-rempah, sedangkan di Indonesia 1 unit elektronik akan mendapatkan 1 kg rempah-rempah. Dengan demikian, jika negara Jepang mengadakan perdagangan atau menukarkan elektroniknya dengan Indonesia akan memperoleh keuntungan sebesar 0,75 kg rempah-rempah, yang diperoleh dari ( 1 kg rempahrempah – 0,25 elektronik).

2. Teori Keunggulan Komparatif (Comparative Advantage) oleh David Ricardo

David Ricardo menyampaikan bahwa teori keunggulan mutlak yang dikemukakan oleh Adam Smith memiliki kelemahan, di antaranya sebagai berikut.

a. Bagaimana bila suatu negara lebih produktif dalam memproduksi dua jenis barang dibanding dengan Negara lain?

Sebagai gambaran awal, di satu pihak suatu negara memiliki faktor produksi tenaga kerja dan alam yang lebih menguntungkan dibanding dengan negara lain, sehingga negara tersebut lebih unggul dan lebih produktif dalam menghasilkan barang daripada negara lain. Sebaliknya, di lain pihak negara lain tertinggal dalam memproduksi barang. Dari uraian di atas dapat disimpilkan, bahwa jika kondisi suatu negara lebih produktif atas dua jenis barang, maka negara tersebut tidak dapat mengadakan hubungan pertukaran atau perdagangan.

b. Apakah negara tersebut juga dapat mengadakan perdagangan internasional?

Pada konsep keunggulan komparatif (perbedaan biaya yang dapat dibandingkan) yang digunakan sebagai dasar dalam perdagangan internasional adalah banyaknya tenaga kerja yang digunakan untuk memproduksi suatu barang. Jadi, motif melakukan perdagangan bukan sekadar mutlak lebih produktif (lebih menguntungkan) dalam menghasilkan sejenis barang, tetapi menurut David Ricardo sekalipun suatu negara itu tertinggal dalam segala rupa, ia tetap dapat ikut serta dalam perdagangan internasional, asalkan Negara tersebut menghasilkan barang dengan biaya yang lebih murah (tenaga kerja) dibanding dengan lainnya.

Jadi, keuntungan komparatif terjadi bila suatu negara lebih unggul terhadap kedua macam produk yang dihasilkan, dengan biaya tenaga kerja yang lebih murah jika diban-dingkan dengan biaya tenaga kerja di negara lain.

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrteyfceaZvYYncrsDC2qvqFLbo20ltMGLsMH6cSCZEsjcM6lDNHh_d9GKGR6moUbgmlfKMiCf2iJ8HB935eI8baDRMvckPe1Wtij7RQRQttZS9F2ua34Ol7iF_lSIDqH_SGzLWcEbR9Q/s400/2b.jpg


Berdasarkan tabel di atas dapat diketahui, bahwa negara Jepang unggul terhadap kedua jenis produk, baik elektronik maupun rempah-rempah, akan tetapi keunggulan tertingginya pada produksi elektronik. Sebaliknya, negara Indonesia lemah terhadap kedua jenis produk, baik rempah-rempah maupun elektronik, akan tetapi kelemahan terkecilnya pada produksi rempah-rempah.

Jadi, sebaiknya negara Jepang berspesialisasi pada produk elektronik dan negara Indonesia berspesialisasi pada produk rempah-rempah. Seandainya kedua negara tersebut mengadakan perdagangan, maka keduanya akan mendapatkan keuntungan.

Besarnya keuntungan dapat dihitung sebagai berikut.

a. Di Jepang 1 unit elektronik = 0,625 kg rempah-rempah, sedangkan di Indonesia 1 unit elektronik = 1 kg rempahrempah. Jika negara Jepang menukarkan elektronik dengan rempah-rempah di Indonesia, maka akan mendapatkan keuntungan sebesar 0,375, yang diperoleh dari (1 rempahrempah – 0,625 rempah-rempah).

b. Di Indonesia 1 kg rempah-rempah = 1 unit elektronik, sedang di Jepang 1 kg rempah-rempah = 1,6 unit elektronik. Jika negara Indonesia menukarkan rempah-rempahnya dengan elektronik, maka Jepang akan mendapatkan keuntungan sebesar 0,6, yang diperoleh dari (1,6 elektronik – 1 elektronik).

Teori yang dikemukakan oleh Kaum Klasik dalam teori perdagangan internasional, berdasarkan atas asumsi berikut ini.
a. Memperdagangkan dua barang dan yang berdagang dua negara.
b. Tidak ada perubahan teknologi.
c. Teori nilai atas dasar tenaga kerja.
d. Ongkos produksi dianggap konstan.
e. Ongkos transportasi diabaikan (= nol).
f. Kebebasan bergerak faktor produksi di dalam negeri, tetapi tidak dapat berpindah melalui batas negara.
g. Persaingan sempurna di pasar barang maupun pasar factor produksi.
h. Distribusi pendapatan tidak berubah.
i. Perdagangan dilaksanakan atas dasar barter.

Minggu, 03 November 2013

About Angel Beats ^_^

Angel Beats!

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Angel Beats!
Angel Beats! DVD Complete Collection cover.jpg
Cover art of the Angel Beats! DVD compilation set released by Section23 Films, featuring main characters (from left to right) Yuzuru Otonashi, Yuri Nakamura, and Angel (Kanade Tachibana).
エンジェルビーツ!
(Enjeru Bītsu!)
Genre Action, Comedy-drama, Fantasy, Tragedy
Light novel
Angel Beats! Track Zero
Written by Jun Maeda
Illustrated by GotoP
Published by ASCII Media Works
Demographic Male
Magazine Dengeki G's Magazine
Original run November 2009May 2010
Volumes 1
Manga
Angel Beats! The 4-koma:
Bokura no Sensen Kōshinkyoku
Written by Jun Maeda
Illustrated by Haruka Komowata
Published by ASCII Media Works
Demographic Seinen
Magazine Dengeki G's Magazine
Original run December 2009November 2013
Volumes 4
Anime television series
Directed by Seiji Kishi
Produced by
Written by Jun Maeda
Music by Jun Maeda, Anant-Garde Eyes
Studio P.A. Works
Licensed by
Network CBC, MBS, RKB, TBS, TUT
Original run April 3, 2010June 26, 2010
Episodes 13 (List of episodes)
Manga
Angel Beats! Heaven's Door
Written by Jun Maeda
Illustrated by Yuriko Asami
Published by ASCII Media Works
Demographic Seinen
Magazine Dengeki G's Magazine
Original run May 2010 – ongoing
Volumes 6
Original video animation
Angel Beats!: Stairway to Heaven
Directed by Seiji Kishi
Studio P.A. Works
Licensed by
Siren Visual
Sentai Filmworks
Manga Entertainment
Released December 22, 2010
Runtime 24 minutes
Manga
Angel Beats! The 4-koma:
Osora no Shinda Sekai kara
Written by Jun Maeda
Illustrated by Haruka Komowata
Published by ASCII Media Works
Demographic Seinen
Magazine Dengeki G's Magazine
Original run December 2013 – ongoing
Game
Developer Key
Publisher Visual Art's
Genre Visual novel
Platform Windows
Released
  • JP Q2 2014
Portal icon Anime and Manga portal
Angel Beats! (エンジェルビーツ! Enjeru Bītsu!?) is a 13-episode Japanese anime television series produced by P.A. Works and Aniplex and directed by Seiji Kishi. The story was originally conceived by Jun Maeda, who also wrote the screenplay and composed the music with the group Anant-Garde Eyes, with original character design by Na-Ga; both Maeda and Na-Ga are from the visual novel brand Key, who produced such titles as Kanon, Air, and Clannad. The anime aired in Japan between April 3 and June 26, 2010. An original video animation episode was released on December 22, 2010. The story takes place in the afterlife and focuses on Otonashi, a boy who lost his memories of his life after dying. He is enrolled into the afterlife school and meets a girl named Yuri who invites him to join the Afterlife Battlefront—an organization she leads which fights against God. The Battlefront fight against the student council president Angel, a girl with supernatural powers.
Key worked in collaboration with ASCII Media Works' Dengeki G's Magazine to produce the project into a media franchise. Three manga series are serialized in Dengeki G's Magazine: two illustrated by Haruka Komowata, and one drawn by Yuriko Asami. A series of illustrated short stories written by Maeda and illustrated by GotoP were also serialized in Dengeki G's Magazine between the November 2009 and May 2010 issues. Two Internet radio shows were produced to promote Angel Beats!. The first part of a video game adaptation produced by Key will be released in Q2 2014 for Windows.
Angel Beats! received generally positive reviews by critics. The integration of various individual elements together, such as musical performances, humor and action, was praised in one review, but panned in another, saying that the story is overloaded with too many elements. P.A Works was praised for the animation of the action sequences and attention to detail with the weapons used. A major flaw noted by critics, however, is that the anime is too short, which leaves many of the characters with untold back-stories. The anime was selected as a recommended work by the awards jury of the 14th Japan Media Arts Festival in 2010.

Plot

Angel Beats! takes place at a high school acting as a limbo for those who have died, where students learn to give up any lingering attachments they still have from life before passing on. Those in the afterlife school can still feel pain as they did when they were alive, as well as dying again, only to awaken later with no injuries. The story follows the main protagonist Otonashi, a boy who lost his memories of his life after dying. He meets Yuri, a girl who invites him to join the Afterlife Battlefront (死んだ世界戦線 Shinda Sekai Sensen (SSS)?), an organization she founded and leads which fights against God for the cruel fates the SSS members experienced in life. In the SSS, there is a four-girl band named Girls Dead Monster that acts as a diversion during missions, and an organization called the Guild that mass-produces weapons out of dirt and supplies them to the SSS. Their only enemy is Angel, a girl who has supernatural powers and fights against the SSS. Angel creates her powers with the aid of a computer program called Angel Player. The rest of the afterlife school is populated by a large number of "normal" students and teachers Yuri deems "non-player characters" (NPCs) as they are not human, but look and act the part.
The first of the characters to fulfill her dream and pass on is Iwasawa, the leader of Girls Dead Monster. Angel, whose real name is Kanade Tachibana, loses her position as student council president and the vice president Naoi succeeds her. Naoi uses powers of hypnosis to control NPCs to fight for his own interests against the SSS, but Otonashi stops him after acknowledging Naoi's existence and he subsequently joins the SSS. Otonashi regains his memories with the aid of Naoi's hypnosis and agrees to continue with the SSS. Otonashi befriends Kanade and invites her to join in on SSS activities. After Otonashi fully remembers the details of his life and death, he starts cooperating with Kanade to help the other SSS members move on, and Kanade is reinstated as student council president in accordance with their plan. Yui, the girl who replaced Iwasawa after she passed on, is the second of the characters who passes on.
When mysterious shadow monsters begin attacking the SSS, Takamatsu gets devoured by one, only to reappear as an NPC. Otonashi reasons with the other SSS members and many of them agree to pass on in lieu of becoming an NPC, including the rest of Girls Dead Monster, Chaa of the Guild, and several unnamed members. Yuri destroys computers responsible for the shadow program, which was programmed to activate when love was detected in the world, to prevent it from becoming a true paradise and maintain its limbo state. Those who are left—Otonashi, Yuri, Kanade, Hinata and Naoi—hold a graduation ceremony where they thank each other for their support. After Naoi, Yuri and Hinata pass on, Otonashi learns that Kanade's regret was not being able to thank him for the heart she received from Otonashi after his death. Otonashi is heartbroken after she thanks him and passes on, as he has fallen in love with her. In the epilogue, a reborn Otonashi and Kanade meet each other on the street in the real world. In an alternative epilogue, Otonashi is shown to have stayed behind in the afterlife to help people pass on, which may have occurred before the events in the epilogue.

Characters

Main characters

Yuzuru Otonashi (音無 結弦 Otonashi Yuzuru?)
Voiced by: Hiroshi Kamiya (Japanese), Blake Shepard (English)
Otonashi is the main protagonist of Angel Beats!. Due to his past, he has a caring personality and does not want anyone to experience pain or sadness. After dying, he lost his memories of the time when he was still alive,[1] but later regains them.[2] He had a younger sister, Hatsune (初音?, Voiced by: Mai Nakahara (Japanese), Jessica Boone (English)), who died of cancer and who he cared for very much. When she died, he decided to go to school to become a doctor, but died in a train accident before he could take the entrance exam to college.[2] Initially unskilled in any equipment, he starts to practice his marksmanship,[3] and pulls through for the team when they are in danger.[4] He carries a Glock 17.[5]
Yuri Nakamura (仲村 ゆり Nakamura Yuri?)
Voiced by: Harumi Sakurai (Japanese), Brittney Karbowski (English)
Yuri, also known as Yurippe (ゆりっぺ?), has a determined personality but is secretly very sensitive and protective.[6] She invites Otonashi to join the SSS, an organization she founded and leads which fights against God.[1] She is smart and decisive when making operations and decisions.[6][7] She carries a silver Beretta 92.[5] Not only is she skilled with a gun, but she is also capable in close range hand-to-hand combat, which is shown when she fends off Angel's hand sonic with a combat knife.[6] She vowed to fight against God after her three younger siblings were murdered by burglars looking for valuables and never forgave herself for failing to prevent their deaths.[6] She is an effective leader, but does not think so.[6] She regrets even fighting with Kanade later in the story, because she feels she could have been great friends with her.[8] She disappears after the graduation ceremony.[8]
Angel (天使 Tenshi?) / Kanade Tachibana (立華 かなで Tachibana Kanade?)
Voiced by: Kana Hanazawa (Japanese), Emily Neves (English)
Angel is the student council president at the afterlife school.[1] This places her at odds with the SSS as her responsibilities require her to suppress delinquency and other disruptive activities that the team does. The SSS initially calls her "Angel" since they do not know her real name, but they still refer to her by it even after finding out her real name to be Kanade Tachibana.[7] It is difficult to understand what she is thinking due to her rarely showing any outward emotions and her way of talking bluntly.[2] She is personally dedicated to helping others overcome their regrets and pass on.[9] However, she often lacks a proper understanding of others, as she never thinks to try to explain to the SSS why she was doing what she did.[10] She enjoys eating mapo doufu, a spicy dish.[4]
Despite her gentle demeanor and small frame, she is incredibly powerful and near indestructible to the point of ejecting bullets out of her wounds during battle.[1][2][11] She creates her powers known as "guard skills" via a computer program called Angel Player.[3] Her primary ability is "hand sonic", a blade on one or both forearms with five forms.[4] Other skills include but are not limited to: "distortion", an invisible barrier that deflects bullets or other projectiles away;[1] "delay", which creates an after-image to disorientate an enemy in close range;[1] and "harmonics", where a clone with a consciousness of its own is formed from the original.[2] These abilities are activated at her will; however, her ability "overdrive", which gives her great physical strength, is always on.[11]

SSS members


The characters of Angel Beats! (from left to right): Irie, Sekine, Takamatsu, Matsushita, TK, Naoi, Otonashi, Yuri, Angel (Kanade), Noda, Hinata, Yui, Ōyama, Fujimaki, Iwasawa, Hisako, Takeyama, Shiina, and Yusa.
Hideki Hinata (日向 秀樹 Hinata Hideki?)
Voiced by: Ryōhei Kimura (Japanese), David Matranga (English)
The protagonist of Angel Beats! Heaven's Door, Hinata is a bright, dependable boy who is the closest to Otonashi.[12] He always tries to save his friends if he can and is a reliable force in the team.[6] He and Yui constantly irritate one another on a daily basis, but deep down, he cares for Yui, as shown when he helps her pass on by telling her he would marry her.[13] He is a talented baseball player, and his regret in life was his failure to catch a baseball, which cost his team an important baseball game.[12] He nicknamed Yuri as Yurippe when they co-founded the SSS as he did not feel comfortable calling her Yuri, because his mother has the same name. He died from getting hit by a truck.[14] He uses an RPK-74 and an S&W 645.[15]
Takamatsu (高松?)
Voiced by: Takahiro Mizushima (Japanese), Kalob Martinez (eps. 1–7), Illich Guardiola (eps. 8–13) (English)
Takamatsu is an honor student who has a polite personality and wears glasses. He mainly contributes to the SSS through intelligence gathering and other affairs but does not actively fight. Yuri herself says to not be fooled by his glasses and that he is actually an idiot.[1] Though appearing to be slender, he works out and is actually well-built muscle-wise.[7] After he first reveals this, he tends to take his shirt off, much to everyone's discomfort.[2] He is absorbed by a shadow and is turned into an NPC.[10] However, having strong enough feelings (according to Yuri), he is able to regain his senses and manages to disappear like the others.[8] He carries a Desert Eagle as a side-arm, but is also seen using a Sig 552.[16]
Noda (野田?)
Voiced by: Shun Takagi (Japanese), Leraldo Anzaldua (English)
Noda is a self-reliant boy who executes the strategies formed by the SSS and fights with a halberd.[1] He does not listen to anyone other than Yuri, for whom he has adoration, and is antagonistic to almost everyone else.[6] He has a one-sided rivalry with Otonashi. He is a complete idiot whose weakness is education; at one point, Takeyama is able to knock him out by reciting pi. He is not afraid to harm or kill anyone who gets in Yuri's way.[10] Though he prefers to fight with his halberd, he sometimes uses guns out of necessity, the type of weaponry that he hates.
Eri Shiina (椎名 枝里 Shiina Eri?)
Voiced by: Fūko Saitō (Japanese), Melissa Davis (English)
Shiina is a female ninja who fights with dual-wielding kodachi and shuriken.[1] She is able to sense when danger is coming and is a highly capable fighter. Despite her serious demeanor, she has a weakness for cute things like stuffed animals.[6] She is strict in her training and is very self-critical when she fails, especially to a newcomer like Otonashi.[7] She decides that her weakness is having little concentration. She is shown balancing a broom and other objects with her fingers for long amounts of time.[12] She rarely speaks but will normally remark "how shallow-minded" or "how foolish" ("this is so stupid" in the English dub) whenever the obvious or something stupid is said.[1] As she didn't have a name when she arrived in the afterlife, Yuri named her Shiina after her callsign, 'C7' (Shi-nana).[17]
Yusa (遊佐?)
Voiced by: Yui Makino (Japanese), Serena Varghese (eps. 1–9), Elizabeth Bunch (ep. 10, OVA) (English)
Yusa is an operator in the SSS who conveys the state of the battlefield to Yuri.[1] She is a calm and gentle mannered girl with a straightforward character. Much like Angel, she does not express her emotions and is called scary by Otonashi and Hinata.[12] She cannot calm down without her earphone. She rarely talks, and she sometimes hurts others' feelings even though she does not mean it.
Fujimaki (藤巻?)
Voiced by: Yūki Masuda (Japanese), Andrew Love (English)
Fujimaki is a delinquent who fights with a long shirasaya,[1] and he is similar in character to Noda. He picks on Otonashi when he initially joins the SSS. He cannot swim.[6] He uses a PPSh-41 submachine gun.[18]
TK
Voiced by: Michael Rivas (Japanese), Adam Van Wagoner (English)
TK is a mysterious character who wears a large bandanna over his eyes and tends to break out in dance every so often.[1][7][12] No one knows his real name or past. He speaks in semi-nonsensical English phrases depending on the situation, mainly quoted from pop culture, but apparently does not know English fluently. He saves the team many times and does know some Japanese but rarely speaks it. He carries Browning Hi-Power and LAR Grizzly handguns or a PP-19 Bizon submachine gun during missions.[19]
Matsushita (松下?)
Voiced by: Eiichirō Tokumoto (Japanese), Rob Mungle (English)
Matsushita, also known as "Matsushita 5-dan" ("Matsushita the Fifth" in the dub), has a large build and is a master at judo.[1] He never forgets a debt he owes, especially when it involves food (specifically niku udon). He carries heavy weapons such as rocket launchers or machine guns into battle.[6] He later loses weight after training in the mountains.[10] He uses a H&K P7 and an MG3 light machine gun.[20]
Ōyama (大山?)
Voiced by: Yumiko Kobayashi (Japanese), Corey Hartzog (English)
Ōyama is an ordinary boy who has no special talents. He does not excel at anything, but is as capable as any normal person; in other words, he is a Jack of all trades.[6] He is a pure boy whose feelings will get hurt from things like making fake confession or watching his teammates "die".[6] He carries a Remington 700 sniper rifle or a P226 handgun.[21]
Takeyama (竹山?)
Voiced by: Mitsuhiro Ichiki (Japanese), Dylan Godwin (English)
Takeyama is an intelligent boy who is good at hacking computers.[3] He wrote the "Briefing Manager" program that Yuri uses to brief the SSS prior to a mission. He insists that he be addressed by his username "Christ," but no one ever does so.[3] He tries to execute all plans as perfectly as possible. He does not engage in combat or any other physical operations, but rather gathers data and information.[3]
Chaa (チャー?)
Voiced by: Hiroki Tōchi (Japanese), Illich Guardiola (English)
Chaa is the leader of the Guild.[6] Despite looking much older, he is about the same age as Otonashi and the others.[22] He is the fourth member to join the SSS, at which time he had no facial hair. He first met Yuri and Hinata by holding the principal of the school hostage at gun point in an attempt to learn more about God, causing him to get stabbed by Kanade.[14]
Ayato Naoi (直井 文人 Naoi Ayato?)
Voiced by: Megumi Ogata (Japanese), Greg Ayres (English)
Naoi is a human originally thought to be a non-player character (non-human).[7] After he died, Naoi developed hypnotic powers that allow him to control others and cause them to enter a dream-like state.[4] In life, he was the son of a famous potter. However, it was his twin brother who had the talent in pottery and as a result, Naoi was ignored by everyone. When his brother died, he was made to replace him by his father and was given strict training in pottery. As a result, he felt as if his own life was fake and all he wanted was to be acknowledged for his own existence.[4] He later befriends Otonashi after he acknowledges him and joins the SSS.[2] As acting student council president for a time and self-proclaimed God, Naoi is strict and arrogant, but this is quick to disperse when Otonashi chastises him. He is affectionate to Otonashi, much to the latter's chagrin, and always tries to earn his affection.[2] He uses dual USP 45 handguns.[23]

Girls Dead Monster

Masami Iwasawa (岩沢 まさみ Iwasawa Masami?)
Voiced by: Miyuki Sawashiro (Japanese), Luci Christian (English), Marina (singing)
Masami Iwasawa is the initial leader of Girls Dead Monster who is in charge of the vocals and is the rhythm guitarist.[3] She also writes the lyrics and composes the music for the band's songs.[3] She plays a Sienna Sunburst/Maple Fender Stratocaster guitar.[24] While usually a quiet girl, she is able to fascinate listeners by striving to create music that speaks her thoughts. She used music as an escape from her constantly fighting parents in life, but ended up dying from a brain injury she received.[3] She disappears playing her own song, "My Song". She accepts that she will use her voice to someday influence others.[3]
Yui (ユイ?)
Voiced by: Eri Kitamura (Japanese), Hilary Haag (English), LiSA (singing)
Yui is a big fan and initially an assistant to Girls Dead Monster.[3] She is known to be hyperactive and talks extremely fast.[12] Hinata finds Yui annoying, which results in bouts between the two of them though in truth, they truly care about one another, saying that had they met before they died, they would have fallen in love with each other.[13] She wears a devil tail and shackle bracelets on her wrists, giving her an image of an imp or devil. She also has wings hidden by her hair on her back. After Iwasawa's departure, Yui becomes the new rhythm guitarist and vocalist of Girls Dead Monster, as well as its leader.[12] Yui plays a Gibson SG Special electric guitar.[25] She later becomes a part of the main SSS, following them along on missions, though she does not contribute much.[11] In life, she was hit by a car and was paralyzed from a young age as a result. Her regret was not being able to do anything with her body. Otonashi helps fulfill most of her wishes that include many things she saw on TV when she was alive.[13]
Hisako (ひさ子?)
Voiced by: Chie Matsuura (Japanese), Elizabeth Bunch (eps. 3–4), Jessica Boone (eps. 5–6, 12, OVA) (English)
Hisako is second-in-command of Girls Dead Monster who plays a Fender Jazzmaster electric guitar as lead guitarist.[26] She has a candid personality and likes to play mahjong, which she has incredible luck with.[7] As noted by Hinata, Hisako is also athletic and is greatly admired by Yui for her guitar riffs.[12] In life, she was a part of a band whose main vocalist ended up committing suicide, but after meeting Iwasawa, she forms Girls Dead Monster with her.
Miyuki Irie (入江 みゆき Irie Miyuki?)
Voiced by: Kana Asumi (Japanese), Luci Christian (English)
Irie is the drummer of Girls Dead Monster who, despite being dead herself, is bad with hearing stories about ghosts or spirits, which Sekine likes to take advantage of.[27] She is best friends with Sekine and joined Girls Dead Monster at the same time as her.
Shiori Sekine (関根 しおり Sekine Shiori?)
Voiced by: Emiri Katō (Japanese), Serena Varghese (English)
Sekine plays a G&L L-2000 bass guitar in Girls Dead Monster.[28] She likes to play pranks on those around her to see the surprised faces of her victims. She also likes to abruptly improvise during performances, much to Hisako's chagrin.

Production

Creation and conception

The original creators of Angel Beats!, Jun Maeda and Na-Ga of Key, were interviewed in the July 2009 issue of ASCII Media Works' Dengeki G's Magazine. Around the time Key completed the first release of their sixth visual novel Little Busters!, Hironori Toba of Aniplex (himself a fan of Key's works) approached Maeda around October 2007 about collaborating to produce an original anime series. Maeda began meeting with Toba and Aniplex on a monthly basis and the story started to gradually progress. Aniplex wanted Maeda to write a screenplay that would be very "Key-like, with touching moments of laughter and tears," but initially Maeda found himself at a loss to write a story more amusing than Little Busters!, because he thought that he had reached a limit with Little Busters! in regards to a "Key-like story". However, one day Maeda was struck by inspiration, where he thought up the initial idea of a story set in the afterlife. Furthermore, with everyone already dead, Maeda conceived of flashy battles where the combatants go all out without fear of death. According to Maeda, the theme of the series is "life", which in Angel Beats! is depicted as a precious and wonderful thing, despite the characters in Angel Beats! who fight against their fate.[29]
Maeda nominated Na-Ga to begin work on the character designs near the beginning of 2008. Na-Ga was worried that other computer graphics (CG) work for Key would get delayed, but he took the position because of his accumulated experience in CG. Maeda nominated Na-Ga because of the popular characters he designed in Little Busters!, and because of his frankness. Na-Ga designed Yuri based on her personality as a leader, though it was per Maeda's request that he added the black headband, taken from the character Yukiko Amagi from Persona 4, who was Maeda's favorite heroine from that game. The length of Yuri's hair and the addition of a green ribbon were decided from production committee meetings. Angel's original concept began with the idea of a brave, fighting girl. Maeda cited that Angel's image had changed considerably over the development process and that originally she was similar to Shiki Ryōgi from Kara no Kyōkai. Eventually, Angel's concept changed to being a "silent and mysterious girl".[29] Before Na-Ga decided on Otonashi's design, Maeda told him that anything would be fine and to just draw something, and eventually drew up a prototype for Otonashi and Hinata, among others. Some of the characters had vague initial conditions given by Maeda, such as asking Na-Ga to draw an "all female band bass guitarist" in the case of Girls Dead Monster member Sekine and particularly the cryptic "character who speaks in puzzling English phrases" for TK.[30]

Anime production

The Aniplex producer of Angel Beats!, Hironori Toba, was interviewed in the November 2009 issue of Dengeki G's Magazine, where he commented that a 13-episode anime with about 21 minutes per episode was not enough to tell the whole story of Angel Beats! Maeda had envisioned. Therefore, the various additional media, such as the illustrated short stories and manga, contain some of the story that was unable to make it into the anime because of time constraints. Toba wanted fans of the series to be able to enjoy it to the fullest by exploring all of the media types.[31] Maeda found it tiring to go back and forth between Osaka and Tokyo for business meetings when he was in the process of writing the script, and found it difficult to write an entire script by himself, since he had never done that before with any of the games he produced as a member of Key. It was only after the script was done that Maeda was able to work on the music, which he greatly enjoyed and never tired of it. Maeda composed about 15 songs for Girls Dead Monster and spent about two days each composing each song. He made sure to create songs for Girls Dead Monster that high school girls would compose, including the lyrics. Due to this, Maeda pointed out that the opening and ending theme songs for Angel Beats!, which Maeda also composed, sound like they were composed by a different person compared to the Girls Dead Monster songs.[32]
In regards to bringing in P.A. Works as the animation studio, Toba had taken notice of the company from back when they provided in-between animation and production assistance for Fullmetal Alchemist (2003–4) and Darker than Black (2007), respectively; Aniplex helped produce both series. After watching just the first three episodes of P.A. Works' True Tears (2008), however, he was shocked at the high quality and immediately went to P.A. Works' studio in Toyama Prefecture to meet with the production staff in the hope that one day Aniplex could collaborate with them on a project together. The following week, Maeda brought up the subject of deciding on an animation studio for Angel Beats! and mentioned that he too had seen True Tears and had become interested in P.A. Works. Shortly after that, Toba formally made the proposal to P.A. Works to animate the project.[31]
Maeda focused on making jokes an important part of Angel Beats!, leading Toba to seek out Seiji Kishi to be the director, because of his experience in directing and his pulling power influence on the staff of P.A. Works, where there are many that are still young.[31][33] Kishi was ultimately approached by P.A. Works representative director Kenji Horikawa about working on a "school comedy written by a game scenario writer" and was shocked after taking the director's position to discover Maeda was the screenwriter. Kishi commented how, far from just being a comedy, the series contains many different aspects, including flashy action scenes, live musical performances, and drama. Kishi stated that normally he would be hard pressed to cover this range of aspects, but was motivated by Maeda's uncompromising attitude in regards to the script.[33] The decision to add in the all female band Girls Dead Monster was due to Maeda's intent to add in many different and interesting elements into the series.[32]
Kishi specifically requested that sound and music director Satoki Iida work on the project, who also helped with the proofreading of the script due to Maeda's fixation on the music production.[31] Iida was interviewed in the April 2010 issue of Dengeki G's Magazine, where it was stated that Maeda and the group Anant-Garde Eyes received Iida's approval to employ a minimalist approach to the background music (BGM) used throughout the anime. Iida admitted that it was uncustomary to use this music genre in anime and that he had to go through various trials and errors with Maeda and Anant-Garde Eyes to get the music right. Maeda and Anant-Garde Eyes strove to create individual quality music tracks, while Iida pursued the goal of having music that would be useful as BGM tracks, which caused problems during the creation process. Iida realized that it was important for the music and the visuals to combine together to create a synchronization between the two.[34] Toba first took notice of Angel Beats! character designer and chief animator Katsuzō Hirata during the production of Gurren Lagann (2007) with his skill as an artist and ability to finish work quickly, but thoroughly. It was after Toba saw Hirata's work as chief animator of Strike Witches (2008), however, that he pursued Hirata to join the Angel Beats! staff; Maeda also gave his seal of approval for Hirata.[31]

Media

Internet radio shows

A four-episode Internet radio show to promote Angel Beats! called Jun Maeda's Brutal Radio (麻枝准の殺伐ラジオ Maeda Jun no Satsubatsu Rajio?) aired between May 30, 2009 and March 31, 2010. The show was hosted by Jun Maeda, though guests did make appearances, such as Hironori Towa, the producer for Angel Beats!, and Na-Ga. One month after each regular broadcast, an additional shorter broadcast called Postwar Disposition (戦後処理 Sengo Shori?) was released.[35] Another Internet radio show to promote the series titled Angel Beats! SSS Radio had a pre-broadcast on March 18, 2010, and had 51 regular weekly broadcasts between April 1, 2010 and March 31, 2011.[36] Produced by Hibiki Radio Station, the show was hosted by Harumi Sakurai (the voice of Yuri), Kana Hanazawa (the voice of Angel) and Eri Kitamura (the voice of Yui).[36] The first volume of a CD compilation containing the first four broadcasts, as well as the pre-broadcast and brand new recorded material, was sold on June 23, 2010.[37] A limited edition of volume two was sold at Comiket 78 in August 2010, and became available for general sale on September 22, 2010.[36] Volumes three through seven were released between October 27, 2010 and July 29, 2011.[36]

Books and publications

A series of seven illustrated short stories written by Jun Maeda and drawn by GotoP entitled Angel Beats! Track Zero were serialized between the November 2009 and May 2010 issues of ASCII Media Works's Dengeki G's Magazine.[38] Track Zero is a prequel to Angel Beats! featuring Hinata as the main character and tells the story of how the SSS was formed. A special extra chapter focusing on Girls Dead Monster was published in the sixth volume of Dengeki G's Festival! Deluxe on March 29, 2010. The short stories were collected into a bound volume released on June 23, 2010 and included an additional chapter along with the other eight chapters.[39] The chapter titles for the stories are taken from song titles from various musical artists. The first chapter, "Two Person Rocket" (二人のロケット?, "Futari no Rocket"), was posted online with illustrations by ASCII Media Works.[40] ASCII Media Works published the Angel Beats! Official Guidebook on December 22, 2010.[41] The guidebook contains story summaries of the anime episodes including the OVA, information on the cast of characters, interviews from the voice acting cast and production staff, and illustrations featuring art from the anime.[42]

Manga

A four-panel comic strip manga, illustrated by Haruka Komowata and titled Angel Beats! The 4-koma: Bokura no Sensen Kōshinkyoku (Angel Beats! The4コマ 僕らの戦線行進曲♪ Angel Beats! The 4-koma: Our Battlefront March Song?), was serialized between the December 2009 and November 2013 issues of ASCII Media Works' Dengeki G's Magazine. Komowata was also in charge of illustrating a manga which showcased the progress of the Angel Beats! project and was serialized between the September 2009 and July 2010 issues of Dengeki G's Magazine.[43] The first tankōbon volume for Angel Beats! The 4-koma was released on December 18, 2010 under ASCII Media Works' Dengeki Comics EX imprint;[44] three volumes have been released as of October 27, 2012.[45] The fourth volume will follow on November 27, 2013.[46] Komowata also illustrates the Angel Beats! The 4-koma: Osora no Shinda Sekai kara (Angel Beats! The4コマ お空の死んだ世界から?) four-panel comic strip manga, which began serialization in the December 2013 issue of Dengeki G's Magazine.[47]
A manga illustrated by Yuriko Asami, titled Angel Beats! Heaven's Door, began serialization in Dengeki G's Magazine in the May 2010 issue. Heaven's Door is based on the Angel Beats! Track Zero short stories.[39] The first volume for Angel Beats! Heaven's Door was released on December 18, 2010 under ASCII Media Works' Dengeki Comics imprint;[48] five volumes have been released as of April 27, 2013.[49] The sixth volume will follow on November 27, 2013. An anthology titled Angel Beats! Comic Anthology was published by ASCII Media Works on December 18, 2010.[50]

Anime

The 13-episode Angel Beats! anime TV series is directed by Seiji Kishi and produced by P.A. Works and Aniplex.[51][52] It aired in Japan between April 3 and June 26, 2010 on the CBC television network.[53][54][55] The first episode was previewed on March 22, 2010 to a selected number of people who participated in a lottery held earlier that month.[56] The screenplay was written by Jun Maeda, who originally conceived the series. Chief animator Katsuzō Hirata based the character design used in the anime on Na-Ga's original designs. Sound and music direction was headed by Satoki Iida.[57][58]
The series was released on seven BD/DVD compilation volumes between June 23 and December 22, 2010 in limited and regular editions.[59][60] Three drama CDs, written by Maeda and performed by the anime's cast, were released with the first, fourth and sixth limited edition BD/DVD volumes.[59][61][62][63] The seventh BD/DVD volume featured an original video animation episode, as well as a bonus short which serves as another epilogue to the series.[64][65] Each of the BD/DVD volumes contained commentaries by the characters performed by the voice cast and written by Maeda.[59][60] Sentai Filmworks licensed the anime,[60][66] and along with distributor Section23 Films, released the series on BD/DVD on July 26, 2011.[67] Siren Visual licensed the anime for Australia and New Zealand.[68] The series has also been licensed in the United Kingdom by Manga Entertainment[69] and released the series on BD/DVD on June 25, 2012.

Video game

It was reported in 2010 that Jun Maeda was writing the scenario for a video game adaptation of Angel Beats!,[70] and the game was officially announced in September 2013.[71] Developed by Key, the all ages game will be split into six volumes, with the first volume set to be released in Q2 2014 for Windows PCs.[72] The first volume will cover up to the tenth episode of the anime as well as Iwasawa's, Matsushita's and Yui's routes with Otonashi as the main protagonist. The subsequent volumes will cover the rest of the character routes.[73]

Music

The anime's music is composed by Maeda and the group Anant-Garde Eyes, who also provided the musical arrangement. The music is released on Key's record label Key Sounds Label. The opening theme is "My Soul, Your Beats!" sung by Lia and the ending theme is "Brave Song" sung by Aoi Tada. The single containing both songs titled "My Soul, Your Beats! / Brave Song" was released on May 26, 2010 in limited (CD+DVD) and regular (CD) editions; the limited edition's DVD contains the opening and ending videos without the credits.[74] The in-story band Girls Dead Monster is made up of the real-life singers Marina and LiSA.[74] Five singles for Girls Dead Monster were released. The first, "Crow Song", was released on April 23, 2010 featuring songs sung by Marina. The second and third singles, "Thousand Enemies" and "Little Braver", followed on May 12 and June 9, 2010, respectively, with songs sung by LiSA.[74] The fourth single was "Last Song" by Marina and the fifth single was "Ichiban no Takaramono (Yui final ver.)" (一番の宝物~Yui final ver.~?) by LiSA; both singles were released on December 8, 2010. A Girls Dead Monster album titled Keep The Beats! was released on June 30, 2010. A version of Keep The Beats! containing instrumental tracks was released on July 28, 2010 bundled with a 256-page band score book. The anime's original soundtrack was released on July 28, 2010 as a two-CD set.[74]

Events

There were several live performance events to promote the music from Angel Beats!. The first was on April 24, 2010 at the Tower Records in Shibuya, Tokyo where Marina and LiSA performed four songs. The first two, "Crow Song" and "Alchemy", were duets, while the third song "My Song" was sung by Marina, and LiSA sang "My Soul, Your Beats!".[75] On June 5, 2010 at the same venue, Lia and Aoi Tada sang their songs from "My Soul, Your Beats! / Brave Song", Tada and LiSA sang "Crow Song" as a duet, and Lia and LiSA also sang "My Soul, Your Beats!" as a duet for the encore.[76] An event titled "Angel Beats! Fes.: Thousand Bravers" was held on August 1, 2010 at Studio Coast in Shingiba, Koto, Tokyo featuring singers Lia, Tada, Marina, LiSA and Karuta, as well as several voice actors from the anime.[77]
A national concert tour featuring LiSA titled "Girls Dead Monster starring LiSA Tour 2010: Keep The Angel Beats!" was held across Japan August 3 and September 2, 2010; all of the venues ultimately sold out.[78] A BD/DVD video album box set titled Girls Dead Monster starring LiSA Tour 2010 Final: Keep The Angel Beats! of the tour's final performance was released on June 1, 2011 by Key Sounds Label bearing the catalog numbers KSLV-0001–0003.[79] The last concert of Girls Dead Monster was held on December 27, 2010 at an event called "Girls Dead Monster Last Live: Final Operation" featuring Marina and LiSA at the Tokyo International Forum.[80]

Reception

Critical reception

Angel Beats! received generally positive reviews. In a review by Anime News Network, reviewer Theron Martin praised the series for integrating individual elements together, including the Girls Dead Monster musical performance scenes, scenes where humor dominates, and action scenes.[81] A common theme in supernatural anime, according to Martin, are souls discontent with their former lives, but the concept of Angel Beats! is described as "quite unusual" because it features all the main characters as such souls and gathers them in one place. In the series, "maintaining distinctiveness is essential for survival as an individual," which Martin calls a "sly condemnation of the rigorous conformity impressed upon students by Japanese schooling." Overall, Angel Beats! was lauded for "requir[ing] no great familiarity with anime to enjoy."[81]
On the DVD Talk website, reviewer John Sinnott praised the plot for advancing and changing in unexpected ways: "The plot evolves quickly and by the end of the series it's quite a different show than what it was at the beginning."[82] Both Martin and Sinnott agree that a major flaw in the anime is that it is too short, and does not go into detail for a large number of characters.[81][82] Stig Høgset at THEM Anime Reviews, however, panned the series in part because it "overloads the story with too many elements in an attempt to please as many people as possible." Høgset went on to describe Angel Beats as not having "any compelling characters" and the series' humor is largely thought to be annoying.[83] However, Høgset praised P.A. Works for the animation of the action sequences,[83] as did Martin, who added that there is "great detail work on the weapons and instruments used."[81]
The sixth episode of Angel Beats!, which aired on May 8, 2010 on Osaka's MBS station in Japan, achieved a record 4.9% rating for an anime series broadcast during the late-night "Anime Shower" timeslot in the past three years.[84] The Angel Beats! anime was selected as a recommended work by the awards jury of the 14th Japan Media Arts Festival in 2010.[85]

Sales

Each of the Angel Beats! Blu-ray Disc (BD) compilation volumes ranked in the top three on Japan's Oricon weekly BD sales chart. Volumes one and four ranked at No. 1,[86][87][88] volumes two and five ranked at No. 2,[89][90] and volumes three, six and seven ranked at No. 3.[91][92][93] The DVD volumes, however, ranked lower than the BDs on Oricon. Volume one ranked at No. 5,[94] volume two at No. 10,[95] volume three at No. 13,[96] volume four at No. 11,[97] volume five at No. 8,[98] volume six at No. 12,[99] and volume seven at No. 15.[100]
The opening and ending theme song single "My Soul, Your Beats! / Brave Song" debuted at No. 3 on Japan's Oricon weekly singles chart, selling about 80,000 copies in its first week of sales.[101] "My Soul, Your Beats! / Brave Song" was awarded a Gold disc by the Recording Industry Association of Japan (RIAJ) in May 2010 for shipping over 100,000 copies.[102] Girls Dead Monster's single "Crow Song" debuted at No. 7 on the Oricon singles chart,[103] selling approximately 16,400 copies in about four days.[104] "Crow Song" sold over 25,000 more copies over the next three weeks after its release.[105][106][107] "Crow Song" was awarded a Gold disc by the RIAJ in November 2011 for shipping over 100,000 copies.[108] The Girls Dead Monster single "Thousand Enemies" debuted at No. 4 on the Oricon singles chart, selling about 28,000 copies in its first week of sales.[106] "Thousand Enemies" sold over 18,000 more copies over the next two weeks after its release.[107][109]
Girls Dead Monster's third single "Little Braver" debuted at No. 2 on the Oricon singles chart, selling about 38,800 copies in its first week of sales.[110] Girls Dead Monster's fourth and fifth singles, "Last Song" and "Ichiban no Takaramono (Yui final ver.)", ranked at No. 2 and No. 3 on the Oricon singles chart, respectively, both selling about 35,000 copies in their first week of sales.[111] The Girls Dead Monster album Keep The Beats! ranked at No. 6 on the Oricon albums chart, selling about 51,000 copies in its first week of sales.[112] Keep The Beats! was awarded a Gold disc by the RIAJ in September 2010 for shipping over 100,000 copies.[113] The version of Keep The Beats! with instrumental tracks and a band score book ranked at No. 14 on the Oricon albums chart, selling just under 9,000 copies in its first week.[114] The Angel Beats! Original Soundtrack ranked at No. 9 on the Oricon albums chart, selling about 13,300 copies in its first week.[114]

References

General